I thought the shoot went well. We had a little bit of time from when both of the actors arrived and when it got dark enough to shoot, to run through the whole fight sequence so that shooting it would be faster. We also decided to go through the detailed psychology of the characters, such as their personal history, motives and thought processes.
I thought this made the rest of the shoot much more efficient as we weren't making any new choreography or developing the character motivations.
I was the main camera operator on the shoot. Myself and Taran shared equal directing duties, such as conveying the vision of the film to the actors and discussing the characters with them. Taran handled more of the character blocking while I framed the shots. It required a lot of communication between us so that we would match the movement of the actors with the movement of the camera in a dynamic way. I was also in charge of lighting, meaning turning on and off certain lights in the location to achieve a desired effect. This was difficult as many of the lights were under the same switch as well as the family still being in the house. The only actual non-practical light source that we brought was an iPad. This was only used in the bedroom sequence, in which I came up with lighting up Ollie's face as it was quite dark in that corner. I experimented with a few colours, but liked the blue/purple colour as it contrasted the orange light in the room quite well.
Day 2 of the shoot would be much more relaxed so I was somewhat relieved that the most difficult day was done.

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